| Adams |
Dale |
A |
Vocal Production |
| Adams |
Dale |
BC |
Plateau A Chorus Co-op Coaching |
| Adams |
Dale |
D |
How to be a great Tenor |
| Baertschi |
Harry |
A |
Woodshedding/Ear Singing |
| Baertschi |
Harry |
BC |
Plateau A Chorus Co-op Coaching |
| Baertschi |
Harry |
D |
Barbershop Acoustics |
| Beck |
Bill |
A |
Woodshedding/Ear Singing |
| Beck |
Bill |
B |
Barbershop Acoustics |
| Beck |
Bill |
C |
Tag Teaching |
| Beck |
Bill |
D |
How to be a great Lead |
| Bell |
Wayne |
AB |
Sight Reading-Beginning |
| Bell |
Wayne |
C |
Tag Teaching |
| Bell |
Wayne |
D |
How to be a great Lead |
| Bellhorn |
Roy |
A |
Barbershop Acoustics |
| Bellhorn |
Roy |
BC |
Plateau A Chorus Co-op Coaching |
| Bellhorn |
Roy |
D |
How to be a great Bari |
| Benson |
Robert |
A |
Woodshedding/Ear Singing |
| Benson |
Robert |
BC |
Plateau A Chorus Co-op Coaching |
| Benson |
Robert |
D |
How to be a great Lead |
| Bishop |
David |
A |
Woodshedding/Ear Singing |
| Bishop |
David |
B |
Vowel Matching |
| Bishop |
David |
C |
Tag Teaching |
| Bishop |
David |
D |
How to be a great Bari |
| Breen |
James |
A |
Woodshedding/Ear Singing |
| Breen |
James |
B |
Barbershop Acoustics |
| Breen |
James |
C |
Vocal Production |
| Breen |
James |
D |
How to be a great Bass |
| Brilhante III |
Ollie |
A |
Plateau A Chorus Director Secrets |
| Brilhante III |
Ollie |
BC |
Plateau A Chorus Co-op Coaching |
| Brilhante III |
Ollie |
D |
Barbershop Acoustics |
| Brooks |
Steve |
ABCD |
Arranging 101 |
| Brown |
Ross |
A |
Woodshedding/Ear Singing |
| Brown |
Ross |
B |
Vowel Matching |
| Brown |
Ross |
C |
Vocal Production |
| Brown |
Ross |
D |
How to be a great Bass |
| Buchanan |
Wes |
A |
Vocal Production |
| Buchanan |
Wes |
B |
Individual Voice Coaching |
| Buchanan |
Wes |
C |
How to be a great chorus member |
| Buchanan |
Wes |
D |
How to be a great Bass |
| Cabral |
Raymond |
A |
Barbershop Acoustics |
| Cabral |
Raymond |
BC |
Plateau A Chorus Co-op Coaching |
| Cabral |
Raymond |
D |
How to be a great Bass |
| Cash |
J. Alan |
A |
Vocal Production |
| Cash |
J. Alan |
B |
Vowel Matching |
| Cash |
J. Alan |
C |
Tag Teaching |
| Cash |
J. Alan |
D |
Individual Voice Coaching |
| Channel |
Wasson |
A |
Woodshedding/Ear Singing |
| Channel |
Wasson |
B |
Vowel Matching |
| Channel |
Wasson |
C |
Vocal Production |
| Channel |
Wasson |
D |
How to be a great Bass |
| Cook |
Philip |
ABCD |
Director of the Future |
| Davey |
Theodore |
ABCD |
Arranging 101 |
| Dewey |
Edward Bradley |
A |
Successful Chapter Programs |
| Dewey |
Edward Bradley |
B |
Barbershop Acoustics |
| Dewey |
Edward Bradley |
C |
Vocal Production |
| Dewey |
Edward Bradley |
D |
How to be a great Bari |
| Dockus |
Edwin |
ABCD |
Director of the Future |
| Drew |
Peter |
ABCD |
Arranging 101 |
| Eastman |
Paul |
A |
Successful Chapter Programs |
| Eastman |
Paul |
B |
Barbershop Acoustics |
| Eastman |
Paul |
C |
Vocal Production |
| Eastman |
Paul |
D |
How to be a great Bari |
| Erickson |
David |
A |
Woodshedding/Ear Singing |
| Erickson |
David |
B |
Barbershop Acoustics |
| Erickson |
David |
C |
Vocal Production |
| Erickson |
David |
D |
How to be a great Bass |
| Fish |
Donald |
A |
Woodshedding/Ear Singing |
| Fish |
Donald |
BC |
Plateau A Chorus Co-op Coaching |
| Fish |
Donald |
D |
How to be a great Bari |
| Gary |
Washburn |
A |
Successful Chapter Programs |
| Gary |
Washburn |
B |
Vowel Matching |
| Gary |
Washburn |
C |
How to be a great chorus member |
| Gary |
Washburn |
D |
How to be a great Lead |
| Goldsmith |
Paul |
A |
Woodshedding/Ear Singing |
| Goldsmith |
Paul |
B |
Barbershop Acoustics |
| Goldsmith |
Paul |
C |
Vocal Production |
| Goldsmith |
Paul |
D |
Individual Voice Coaching |
| Hamilton |
Blaine |
A |
Vocal Production |
| Hamilton |
Blaine |
B |
Barbershop Acoustics |
| Hamilton |
Blaine |
C |
How to be a great chorus member |
| Hamilton |
Blaine |
D |
How to be a great Bari |
| Hansen |
Robert |
A |
Plateau A Chorus Director Secrets |
| Hansen |
Robert |
BC |
Plateau A Chorus Co-op Coaching |
| Hansen |
Robert |
D |
How to be a great Lead |
| Harmon |
Randy |
A |
Vocal Production |
| Harmon |
Randy |
B |
Barbershop Acoustics |
| Harmon |
Randy |
C |
How to be a great chorus member |
| Harmon |
Randy |
D |
How to be a great Lead |
| Harris |
James |
AB |
Sight Reading-Beginning |
| Harris |
James |
C |
How to be a great chorus member |
| Harris |
James |
D |
How to be a great Lead |
| Hays |
John |
ABCD |
Director of the Future |
| Hodge |
Don |
A |
Vocal Production |
| Hodge |
Don |
B |
Individual Voice Coaching |
| Hodge |
Don |
C |
How to be a great chorus member |
| Hodge |
Don |
D |
How to be a great Lead |
| Hunley |
Bobbie |
A |
Plateau A Chorus Director Secrets |
| Hunley |
Bobbie |
BC |
Plateau A Chorus Co-op Coaching |
| Hunley |
Bobbie |
D |
How to be a great Bari |
| James |
Dean |
ABCD |
Arranging 101 |
| Johnson |
Clifford |
AB |
Sight Reading-Beginning |
| Johnson |
Clifford |
C |
Vocal Production |
| Johnson |
Clifford |
D |
Individual Voice Coaching |
| Johnson |
Raymond |
A |
Woodshedding/Ear Singing |
| Johnson |
Raymond |
B |
Barbershop Acoustics |
| Johnson |
Raymond |
C |
Tag Teaching |
| Johnson |
Raymond |
D |
How to be a great Bass |
| Kellogg |
Patrick |
ABCD |
Arranging 101 |
| King |
Kathryn |
A |
Plateau A Chorus Director Secrets |
| King |
Kathryn |
BC |
Plateau A Chorus Co-op Coaching |
| King |
Kathryn |
D |
Barbershop Acoustics |
| Klasey Jr |
Thomas |
AB |
Sight Reading-Beginning |
| Klasey Jr |
Thomas |
C |
Vocal Production |
| Klasey Jr |
Thomas |
D |
Barbershop Acoustics |
| Knight |
David |
A |
Successful Chapter Programs |
| Knight |
David |
BC |
Plateau A Chorus Co-op Coaching |
| Knight |
David |
D |
How to be a great Lead |
| Knight |
Wayne |
A |
Barbershop Acoustics |
| Knight |
Wayne |
BC |
Plateau A Chorus Co-op Coaching |
| Knight |
Wayne |
D |
How to be a great Bass |
| Kolberg |
Todd |
A |
Woodshedding/Ear Singing |
| Kolberg |
Todd |
B |
Vowel Matching |
| Kolberg |
Todd |
C |
How to be a great chorus member |
| Kolberg |
Todd |
D |
Barbershop Acoustics |
| Kristensen |
Roy |
ABCD |
Director of the Future |
| Lahr |
Nathan |
A |
Woodshedding/Ear Singing |
| Lahr |
Nathan |
B |
Barbershop Acoustics |
| Lahr |
Nathan |
CD |
Sight Reading-Intermediate |
| Lappin |
Robert |
A |
Woodshedding/Ear Singing |
| Lappin |
Robert |
B |
Vowel Matching |
| Lappin |
Robert |
C |
How to be a great chorus member |
| Lappin |
Robert |
D |
How to be a great Bari |
| Leedom |
James |
A |
Barbershop Acoustics |
| Leedom |
James |
B |
Vowel Matching |
| Leedom |
James |
C |
Tag Teaching |
| Leedom |
James |
D |
How to be a great Bari |
| Lipson |
Bob |
A |
Vocal Production |
| Lipson |
Bob |
B |
Vowel Matching |
| Lipson |
Bob |
C |
Tag Teaching |
| Lipson |
Bob |
D |
How to be a great Lead |
| Lund |
Richard |
A |
Plateau A Chorus Director Secrets |
| Lund |
Richard |
BC |
Plateau A Chorus Co-op Coaching |
| Lund |
Richard |
C |
How to be a great chorus member |
| Lund |
Richard |
D |
Barbershop Acoustics |
| Matal |
Eldon |
AB |
Sight Reading-Beginning |
| Matal |
Eldon |
C |
How to be a great chorus member |
| Matal |
Eldon |
D |
How to be a great Lead |
| Mathews |
Stephen |
ABCD |
Director of the Future |
| Matteucci |
Robert |
ABCD |
Arranging 101 |
| Metzger |
Gordon |
A |
Vocal Production |
| Metzger |
Gordon |
B |
Individual Voice Coaching |
| Metzger |
Gordon |
C |
How to be a great chorus member |
| Metzger |
Gordon |
D |
How to be a great Lead |
| Miller |
Sam |
AB |
Sight Reading-Beginning |
| Miller |
Sam |
C |
How to be a great chorus member |
| Miller |
Sam |
D |
How to be a great Lead |
| Minkler |
John |
A |
Barbershop Acoustics |
| Minkler |
John |
BC |
Plateau A Chorus Co-op Coaching |
| Minkler |
John |
D |
How to be a great Lead |
| Mollett, III |
Charles |
A |
Vocal Production |
| Mollett, III |
Charles |
B |
Vowel Matching |
| Mollett, III |
Charles |
C |
How to be a great chorus member |
| Mollett, III |
Charles |
D |
Individual Voice Coaching |
| Mood |
Aaron |
A |
Woodshedding/Ear Singing |
| Mood |
Aaron |
B |
Barbershop Acoustics |
| Mood |
Aaron |
C |
Tag Teaching |
| Mood |
Aaron |
D |
How to be a great Tenor |
| Olsen |
Darwyn |
A |
Woodshedding/Ear Singing |
| Olsen |
Darwyn |
B |
Vowel Matching |
| Olsen |
Darwyn |
C |
How to be a great chorus member |
| Olsen |
Darwyn |
D |
Barbershop Acoustics |
| Orloff |
Jerry |
AB |
Sight Reading-Beginning |
| Orloff |
Jerry |
CD |
Sight Reading-Intermediate |
| Orloff |
Kim |
A |
Woodshedding/Ear Singing |
| Orloff |
Kim |
B |
Barbershop Acoustics |
| Orloff |
Kim |
C |
How to be a great chorus member |
| Orloff |
Kim |
D |
How to be a great Bari |
| Peasley |
Harry |
A |
Vocal Production |
| Peasley |
Harry |
BC |
Plateau A Chorus Co-op Coaching |
| Peasley |
Harry |
D |
How to be a great Tenor |
| Peden |
Robert |
A |
Successful Chapter Programs |
| Peden |
Robert |
B |
Vowel Matching |
| Peden |
Robert |
C |
How to be a great chorus member |
| Peden |
Robert |
D |
How to be a great Tenor |
| Peterson |
William |
A |
Successful Chapter Programs |
| Peterson |
William |
B |
Sampling - choose any classroom |
| Peterson |
William |
C |
How to be a great chorus member |
| Peterson |
William |
D |
How to be a great Bari |
| Pickard |
Menashe |
A |
Woodshedding/Ear Singing |
| Pickard |
Menashe |
B |
Vowel Matching |
| Pickard |
Menashe |
C |
Tag Teaching |
| Pickard |
Menashe |
D |
How to be a great Tenor |
| Pintacura |
Joseph |
AB |
Sight Reading-Beginning |
| Pintacura |
Joseph |
CD |
Sight Reading-Intermediate |
| Powers |
Thomas |
A |
Successful Chapter Programs |
| Powers |
Thomas |
BC |
Plateau A Chorus Co-op Coaching |
| Powers |
Thomas |
D |
How to be a great Bass |
| Rhymer |
Ray |
A |
Plateau A Chorus Director Secrets |
| Rhymer |
Ray |
B |
Vowel Matching |
| Rhymer |
Ray |
C |
How to be a great chorus member |
| Rhymer |
Ray |
D |
Barbershop Acoustics |
| Roberts |
Robert |
A |
Woodshedding/Ear Singing |
| Roberts |
Robert |
B |
Barbershop Acoustics |
| Roberts |
Robert |
C |
How to be a great chorus member |
| Roberts |
Robert |
D |
How to be a great Bass |
| Roby |
Herschel |
A |
Vocal Production |
| Roby |
Herschel |
B |
Individual Voice Coaching |
| Roby |
Herschel |
C |
Tag Teaching |
| Roby |
Herschel |
D |
How to be a great Bass |
| Rodrigues |
Doug |
AB |
Sight Reading-Beginning |
| Rodrigues |
Doug |
CD |
Sight Reading-Intermediate |
| Rohwer |
Claude |
BC |
Plateau A Chorus Co-op Coaching |
| Rohwer |
Claude |
D |
How to be a great Bass |
| Rollins |
Steven |
A |
Vocal Production |
| Rollins |
Steven |
BC |
Plateau A Chorus Co-op Coaching |
| Rollins |
Steven |
D |
Individual Voice Coaching |
| Ross |
Dan |
A |
Woodshedding/Ear Singing |
| Ross |
Dan |
B |
Vowel Matching |
| Ross |
Dan |
C |
How to be a great chorus member |
| Ross |
Dan |
D |
How to be a great Lead |
| Roy |
David |
ABCD |
Director of the Future |
| Sagehorn |
Robert |
AB |
Sight Reading-Beginning |
| Sagehorn |
Robert |
C |
How to be a great chorus member |
| Sagehorn |
Robert |
D |
How to be a great Lead |
| Sammonds |
Stephen |
A |
Plateau A Chorus Director Secrets |
| Sammonds |
Stephen |
B |
Barbershop Acoustics |
| Sammonds |
Stephen |
C |
Vocal Production |
| Sammonds |
Stephen |
D |
Individual Voice Coaching |
| Santee |
William (Bill) |
A |
Vocal Production |
| Santee |
William (Bill) |
B |
Barbershop Acoustics |
| Santee |
William (Bill) |
C |
How to be a great chorus member |
| Santee |
William (Bill) |
D |
How to be a great Bari |
| Schell |
Dan |
AB |
Sight Reading-Beginning |
| Schell |
Dan |
C |
Vocal Production |
| Schell |
Dan |
D |
How to be a great Bari |
| Sedgley |
Lynn |
ABCD |
Arranging 101 |
| Serr |
John |
A |
Vocal Production |
| Serr |
John |
B |
Individual Voice Coaching |
| Serr |
John |
C |
How to be a great chorus member |
| Serr |
John |
D |
How to be a great Bari |
| Shone |
Anthony |
A |
Successful Chapter Programs |
| Shone |
Anthony |
B |
Vowel Matching |
| Shone |
Anthony |
C |
Vocal Production |
| Shone |
Anthony |
D |
How to be a great Lead |
| Shreve |
Mark |
A |
Successful Chapter Programs |
| Shreve |
Mark |
BC |
Plateau A Chorus Co-op Coaching |
| Shreve |
Mark |
D |
How to be a great Bari |
| Simmons |
Michael |
A |
Woodshedding/Ear Singing |
| Simmons |
Michael |
B |
Vowel Matching |
| Simmons |
Michael |
C |
How to be a great chorus member |
| Simmons |
Michael |
D |
How to be a great Bass |
| Spinosa |
Ray |
ABCD |
Arranging 101 |
| Sumstine |
James |
ABCD |
Director of the Future |
| Turner |
James |
AB |
Sight Reading-Beginning |
| Turner |
James |
C |
Vocal Production |
| Turner |
James |
D |
How to be a great Lead |
| Van Dam |
Denis |
AB |
Sight Reading-Beginning |
| Van Dam |
Denis |
C |
Vocal Production |
| Van Dam |
Denis |
D |
How to be a great Lead |
| Vestal |
Douglass |
ABCD |
Director of the Future |
| Weissmann |
Jeremy |
ABCD |
Arranging 101 |
| Wetzel |
Orval |
A |
Successful Chapter Programs |
| Wetzel |
Orval |
B |
Vowel Matching |
| Wetzel |
Orval |
C |
Tag Teaching |
| Wetzel |
Orval |
D |
How to be a great Bari |
| Wilson |
Jim |
A |
Successful Chapter Programs |
| Wilson |
Jim |
B |
Vowel Matching |
| Wilson |
Jim |
C |
How to be a great chorus member |
| Wilson |
Jim |
D |
How to be a great Lead |
| Yarnell |
David |
ABCD |
Arranging 101 |
| Yoder |
Woodrow "Sieg" |
A |
Vocal Production |
| Yoder |
Woodrow "Sieg" |
B |
Individual Voice Coaching |
| Yoder |
Woodrow "Sieg" |
CD |
Sight Reading-Intermediate |